Citations:Nohs


 * see also Citations:Noh

Noh plays

 * 1920, in The Herald of the Star, volume 9:
 * The Nohs are supreme in evoking a mood. The use of masks is a custom which is in perfect accordance with the Oriental denial of personality, while in that, as in the unchangeability of the stage, the use of dancing, music, and singing,
 * 1921 February 9, in The Weekly Review, volume 4, page 141
 * The Nohs are one-act religious plays,
 * 1941, Edmund Fuller, A pageant of the theatre, page 55:
 * The Noh is the oldest form of the Japanese theatre, going back farther than the origins of the Kabuki. Sometimes comic interludes were played between the Nohs, to break up the emotional strain of the performance.
 * 1972, Fran Averett Tanner, Basic drama projects:
 * Usually five Nohs are presented at one performance, interspersed with three Kyogens.
 * 1997, Gauguin’s Intimate Journals, translated by Van Wyck Books, page 25:
 * His reverence the priest does not like these Nohs, which are without words and consist entirely of gestures,
 * 2009, Thorsten Botz-Bornstein, Aesthetics and politics of space in Russia and Japan, page 45 :
 * It is necessary to note that in ancient times Nohs were never played inside buildings but outside,