Citations:cisfemininity

Noun: "the state or quality of being cisfeminine"

 * 2016, matthew heinz, Entering Transmasculinity: The Inevitability of Discourse, unnumbered pages:
 * However, the act of critiquing cisnormativity inevitably presents the critic with a limited set of alternatives: one could argue that transmasculinity is as normal and regular as cismasculinity, cisfemininity, or transfemininity;
 * 2018, Rob Cover, Emergent Identities: New Sexualities, Genders and Relationships in a Digital Era, unnumbered page:
 * While at first glance, this does appear to be the case, what the production of a new, 'more disruptive' gender identity does is obscure the fact that cismasculinity and cisfemininity are themselves precarious, fluid and complicated.
 * 2018, Omise'eke Natasha Tinsley, Ezili's Mirrors: Imagining Black Queer Genders, unnumbered pages:
 * But we do need to talk about ourselves: practicing "black trans-cis-terhood"— to use black transfeminist theorist Dora Santana's felicitous phrase—means understanding black queer cisfemininity on its own terms.
 * 2019, Jian Neo Chen, Trans Exploits: Trans of Color Cultures and Technologies in Movement, unnumbered page:
 * By keeping viewers at the threshold between surface and depth, Yozmit's performance calls attention to the cisheterosexual discursive order of vision and desire that establishes differential social value between cismasculinity and cisfeminity by reading gender presentation as a binary sign for gender interiority and bodily essence in sex.
 * 2020, Tania Ferfolja & Jacqueline Ullman, Gender and Sexuality Diversity in a Culture of Limitation: Student and Teacher Experiences in Schools, page 2008:
 * These position particular types of polarised cismasculinity and cisfemininity, which are assumedly determined at and by birth, as natural and normal, and where femininity and all things associated with it, including gay men, are disparaged and subjugated.
 * 2021, Meredith Heller, "Drag Performativity", in The SAGE Encyclopedia of Trans Studies (eds. Abbie E. Goldberg & Genny Beemyn), unnumbered page:
 * In addition, drag performance is not limited to expressions of cismasculinity or cisfemininity.
 * 2021, Ellen Mann, "'A Woman's Happiness is Decided by Her Uterus!': Post-Feminism, Neoliberalism and the Politics of the Female Body in Japanese 'Uterus-Type' and 'Vagina-Type' Spirituality", in Beyond Kawaii: Studying Japanese Femininities at Cambridge (Angelika Koch, Brigitte Steger, & Christopher Tso), page 73:
 * Shikyūkei and chitsukei epitomise these traits of new spiritual culture by locating the part of the body most intimately associated with cisfemininity, a woman's sexual and reproductive organs, as the cause and remedy for the events of her life.