Citations:cismasculinity

Noun: "the state or quality of being cismasculine"

 * 2016, matthew heinz, Entering Transmasculinity: The Inevitability of Discourse, unnumbered page:
 * For 70 respondents (40 per cent), transmasculinity is unequivocally and qualitatively different from cismasculinity.
 * 2017, Jian Neo Chen, "Trans Riot: Transmasculine of Colour Expressions and Embodiments in the Films of Christopher Lee", Asian Diasporic Visual Cultures and the Americas, Volume 4, Number 3, page 305:
 * Thus, when I refer to phallocentrism in cisgay porn, I am being quite literal. Whether gay, straight, or another sexual identification, cismasculinity’s material embodiment of—and correlation with—the male sex (organ) grants some degree of access and kinship to the ideal (even if rejected or not realized) symbolic position of cismasculine patriarchal power within libidinal and social economies.
 * 2018, Rob Cover, Emergent Identities: New Sexualities, Genders and Relationships in a Digital Era, unnumbered page:
 * While at first glance, this does appear to be the case, what the production of a new, 'more disruptive' gender identity does is obscure the fact that cismasculinity and cisfemininity are themselves precarious, fluid and complicated.
 * 2018, Kristen Schilt, "The 'Not Sociology' Problem", in Other, Please Specify: Queer Methods in Sociology (eds. D'Lane R. Compton, Kristen Schilt, Tey Meadow), page 47:
 * Repeatedly reading the review to myself and to others, I later began to see it as so ridiculous as to almost become a parody of cismasculinity in crisis.
 * 2019, Jian Neo Chen, Trans Exploits: Trans of Color Cultures and Technologies in Movement, unnumbered page:
 * By keeping viewers at the threshold between surface and depth, Yozmit's performance calls attention to the cisheterosexual discursive order of vision and desire that establishes differential social value between cismasculinity and cisfeminity by reading gender presentation as a binary sign for gender interiority and bodily essence in sex.
 * 2020, Meredith Heller, Queering Drag: Redefining the Discourse of Gender-Bending, unnumbered page:
 * A performer might create an act that contrasts lived cismasculinity to feminine presentation, but, in that case, the performer is responsible for showing the audience this contrast in whatever way he finds most effective or compelling.
 * 2020, Tania Ferfolja & Jacqueline Ullman, Gender and Sexuality Diversity in a Culture of Limitation: Student and Teacher Experiences in Schools, page 2008:
 * These position particular types of polarised cismasculinity and cisfemininity, which are assumedly determined at and by birth, as natural and normal, and where femininity and all things associated with it, including gay men, are disparaged and subjugated.
 * 2021, "Introduction: Feminist Takes on Networking Justice", in Networked Feminisms: Activist Assemblies and Digital Practices (eds. Ace J. Eckstein et al.), pages 13-14:
 * Ultimately, Eckstein argues that it is precisely the transness of transgender men's self-published stories of manhood that marks them as intelligible and worthy of taking up space and place in their own right—not for their proximity to cismasculinity.
 * 2021, David Francis Goss, Race and Masculinity in Gay Men’s Pornography: Deconstructing the Big Black Beast, unnumbered page:
 * In the following chapters, I discuss the character of pornographic representations of queer Black cismasculinity.
 * 2021, Meredith Heller, "Drag Performativity", in The SAGE Encyclopedia of Trans Studies (eds. Abbie E. Goldberg & Genny Beemyn), unnumbered page:
 * In addition, drag performance is not limited to expressions of cismasculinity or cisfemininity.