Citations:cultural landscape


 * 2005, Bret Wallach, Understanding the Cultural Landscape, Guilford Press (ISBN 9781593851194), page 1:
 * And that's not all. Geographers are magpies. Even when they limit themselves to the cultural landscape, by which I mean the elements of landscape created by people, geographers trespass over a multitude of well-groomed disciplinary turfs.
 * 2008, Daniel C. Knudsen, Landscape, Tourism, and Meaning, Ashgate Publishing, Ltd. (ISBN 9780754649434), page 14:
 * The shift from approaching cultural landscape as the product of human agency to its being the repository of meaning for human societies, suggested by Meinig and Lewis, led to an increased focus by researchers on symbolism and iconography (Penning-Rowsell and Lowenthal 1986).
 * 2011, Peter Howard, An Introduction to Landscape, Ashgate Publishing, Ltd. (ISBN 9781409403838), page 9:
 * Of all the complexities of possible threads to follow, I have selected two as predominant (in the European context), these being the idea of the cultural landscape – landscape as a repository of culture (largely but not exclusively  historical),
 * 2012, Professor Mariusz Czepczynski, Cultural Landscapes of Post-Socialist Cities: Representation of Powers and Needs, Ashgate Publishing, Ltd. (ISBN 9781409487722), page 41:
 * Cultural landscape always mediates between past and future, representing both negative and positive aspects of history, as well as contemporary powers and visions.
 * 2013, Pablo Alonso González, Cultural Parks and National Heritage Areas: Assembling Cultural Heritage, Development and Spatial Planning, Cambridge Scholars Publishing (ISBN 9781443854122), page 73:
 * María Ángeles Layuno (2007): “Against natural landscapes, cultural landscapes, imply a human contribution, that is, the modification or transformation of andscape by human action over time”.
 * 2014, J.D. Fladmark, Heritage: Conservation, Interpretation and Enterprise, Routledge (ISBN 9781317762539), page 21:
 * Landscape modified or influenced by human activity: The classical definition of the cultural landscape, as used by geographers since Friedrich Ratzel (1895-96), sees it as the landscape formed or influenced by human activity.