Citations:fauxtographies


 * 2005: Johannes Ehrat, Cinema and Semiotic: Peirce and Film Aesthetics, Narration, and Representation, page 256 (University of Toronto Press ; ISBN 080203912X, 9780802039125)
 * If there is a cinematic iconography in the sense of a usual depiction of objects, Godard is systematic in destroying it or finding substitutes for it. Moreover, in the same vein, the absence of a frame in Godard’s image had often been noted. This constitutes his difference from ‘fauxtographies,’ the enshrined icons of the real.