Citations:kamboji

See also Citations:Kamboji, Citations:kambhoji, and Citations:Kambhoji.

music

 * 2006, Amanda J. Weidman, Singing the Classical, voicing the Modern: the Postcolonial Politics of Music in South India, page 235:
 * Developed in performance, ragas gain associations with particular places, musicians, and feelings. For instance, one musician explained to me that two ragas like kamboji and yadukulakamboji, which are in the same mela, or family, according to Venkatamakhi's system and differ only by the presence or absence of a single swara, nevertheless differ in the cuvai (taste) and uṇarcci (feeling) they evoke. Kamboji is associated with kampīram (grandeur, pomp) [...]