Citations:motherfuckerdom

Noun: "(slang, vulgar) the state or quality of being a motherfucker"

 * 2000, Stephen Lemons, "'American Pimps'", Salon, 26 July 2000:
 * “Let me tell you, when I stopped pimpin’, I was real negative about quitting,” Rosebudd says. “I thought I was giving up being a motherfucker. Now to a hustler, being a motherfucker is what you strive for. So when someone says ‘Rosebudd’s a motherfucker,’ that’s the highest compliment you can get because they’ve run out of adjectives. I was depressed until I realized that I was not stopping being a motherfucker, I was stopping pimpin’. I just had to become a motherfucker in another arena.”
 * The other arena in which Rosebudd, aka John Dickson, is aiming for motherfuckerdom is writing.
 * 2009, Jim Dawson, The Compleat Motherfucker: A History of the Mother of All Dirty Words, Feral House (2009), ISBN 9781932595413, page 33:
 * In a culture dependent upon oral traditions going back to the griots—tribal historians and genealogists—of Western Africa, the heroes of the toast were often the ultimate bad mammyjammers, the archetypes of motherfuckerdom.
 * 2011, Alex Pappademas, "Jay-Z King", GQ, December 2011:
 * Take Watch the Throne, on which two grandiose motherfuckers explore the theme of grandiose-motherfuckerdom from vastly different perspectives, stacking dubstep on top of opera on top of Otis Redding, triumphalism on top of sorrow on top of more triumphalism, striving for a sound as vast and strange as the world they've come to inhabit.
 * 2012, Texjah, The Glorious Dead review, Rip It Up, Issue 1203, 30 August - 5 September 2012, page 16:
 * There's no doubting the status of The Heavy being snuggly in the upper strata of Cool Motherfuckerdom.
 * Take Watch the Throne, on which two grandiose motherfuckers explore the theme of grandiose-motherfuckerdom from vastly different perspectives, stacking dubstep on top of opera on top of Otis Redding, triumphalism on top of sorrow on top of more triumphalism, striving for a sound as vast and strange as the world they've come to inhabit.
 * 2012, Texjah, The Glorious Dead review, Rip It Up, Issue 1203, 30 August - 5 September 2012, page 16:
 * There's no doubting the status of The Heavy being snuggly in the upper strata of Cool Motherfuckerdom.