Citations:queercrip

Adjective: "belonging to, characteristic of, or related to both the disabled and LGBT communities"

 * 2006, Robert McRuer, Crip Theory: Cultural Signs of Queerness and Disability, page 35:
 * That queercrip story is at least in part my own. Claiming disability is absolutely necessary for that story, but it is not and cannot be sufficient.
 * 2012, Robert McRuer & Anna Mollow, Sex and Disability, page 353:
 * Non-devotee versions of such imagery might be easier to access for amputees involved in queercrip communities.
 * 2013, George McKay, Shakin' All Over: Popular Music and Disability, page 120:
 * We turn now to look at the one key star of deaf pop—a singer, songwriter, and pianist whose hearing impairment was visible, present, and negotiated throughout his extraordinary career, in a “queercrip”-informed (McRuer 2006) analysis of the pre-rock-and-roll figure of Johnnie Ray.
 * 2016, Todd R. Ramlow, "Queering, Cripping", in The Ashgate Research Companion to Queer Theory (eds. Michael O'Rourke & Noreen Giffney), unnumbered page:
 * In the bit that gives the film its title, Walloch more directly takes on the disciplining and proscriptions of the queercrip body, and demonstrates exactly how compulsory heterosexuality is intimately bound to compulsory able-bodiedness.
 * 2016, David Trend, Elsewhere in America: The Crisis of Belonging in Contemporary Culture, unnumbered page:
 * But the fact that it's no longer possible to say one thing is perhaps not at all defeatist, but rather a crucially important queer-crip insight: We are continually generating a multitude of ways of being queer and crip, and of coming together.
 * 2019, Routledge Handbook of Radical Politics (eds. Ruth Kinna & Uri Gordon), unnumbered page:
 * Her work is focused on transforming cultures of undesirability through creating, theorising and supporting others in the production of queercrip porn.
 * 2020, Courtney Andree, "Sex, Love and Disability on Screen", in The Routledge Handbook of Disability and Sexuality (eds. Linda Mona & Russell Shuttleworth), unnumbered page:
 * In showing up and becoming visible as queercrip, we intentionally shift the frame of desirability.
 * 2022, Timothy Oleksiak, "On Taking The Bottom's Stance, Or Not Your Typical Submissive", in The Routledge Handbook of Queer Rhetoric (eds. Jacqueline Rhodes & Jonathan Alexander), unnumbered page:
 * Second, by intentionally eliciting the shaming stare, Cubacub positions the queercrip body as an active agent rather than a passive object of the gaze.

Noun: "one who belongs to both the disabled and LGBT communities"

 * 2014, Bob Guter & John R. Killacky, Queer Crips: Disabled Gay Men and Their Stories, unnumbered page:
 * While I did not know other queer crips, at least I was not alone. Eventually I began to meet and network with other like-bodied men.
 * 2017, Robert McRuer, "No Future for Crips: Disorderly Conduct in the New World Order; or, Disability Studies on the Verge of a Nervous Breakdown", in Culture - Theory - Disability: Encounters Between Disability Studies and Cultural Studies (eds. Anne Waldschmidt, Hanjo Berressem, & Moritz Ingwersen), page 72:
 * We cannot, currently, do without actions such as HEW projects or documents such as section 504 or – to move a decade into the future, when when other queercrips (most notably transsexuals), were explicitly excluded from a different state document even as some more, those with HIV/AIDS, were included – the Americans with Disabilities Act.
 * 2019, Mashrur Shahid Hossain, "'We Know What He Means' ... Oh, Really?: Queering Queer Diaspora", in New Perspectives in Diasporic Experience (eds. Connie Rapoo, Maria Luisa Coelho, & Zahira Sarwar), page 186:
 * Now, if 'sexuality is ... that which is denied to people with disabilities, and compulsory heterosexuality is perhaps even more impacted in the disabled Brit queercrips ableist assumptions and the causal relations between compulsory heterosexuality and compulsory able-bodiedness.
 * 2020, Alison Kafer, "Queer Disability Studies", in The Cambridge Companion to Queer Studies (ed. Siobhan B. Somerville), page 103:
 * as with Piepzna-Samarasinha's imagined collective of queercrips fucking themselves/ourselves, those working along the interstices of queer disability studies and crip theory are conjuring sideways relations and pleasures.
 * 2020, anonymous, quoted in Courtney Andree, "Sex, Love and Disability on Screen", in The Routledge Handbook of Disability and Sexuality (eds. Linda Mona & Russell Shuttleworth), unnumbered page:
 * Claiming control over the process of making porn not only addresses the denial of agency queercrips so often experience but also powerfully speaks back to narratives of disposability and consumption.