majolica

Etymology
From, named after the Island of Majorca (formerly known as Maiolica), which was once a commerce center for work produced in Valencia, Spain. .

Noun

 * 1) Earthenware decorated with coloured lead silicate glazes applied directly to an unglazed body.
 * 2) * 1877, Leon Arnoux, Director, Minton & Co., British Manufacturing Industries POTTERY, page #:42 https://archive.org/stream/britishmanufact08goog#page/n56/mode/2up/search/palissy
 * Majolica was produced for the first time by Messrs. Minton, in 1850, and they have been for many years the only producers of this article. The name of majolica is now applied indiscriminately to all fancy articles of coloured pottery. When, however, it is decorated by means of coloured glazes, if these are transparent, it ought to be called Palissy ware […]
 * 1) * 1999, Paul Atterbury and Maureen Batkin, Dictionary of Minton, ACC Art Books (2nd Revised edition edition 1 Jan. 1999), page #:124
 * […] the coloured glaze decorated wares which we now call majolica, but which Minton referred to as Palissy wares.
 * 1) * 2018, Claire Blakey, Minton Majolica: A Visual Feast of Victorian Opulence Minton Archive https://web.archive.org/web/20190505103014/http://www.themintonarchive.org.uk/in-depth-minton-majolica/
 * Majolica is the term used to describe pottery made of an earthenware body coated with semi-translucent coloured lead glazes. It was developed at the Minton factory in the late 1840s by Léon Arnoux, who had come to the Potteries in 1848.
 * 1) Earthenware coated with opaque white tin-glaze, decorated with coloured metal oxide enamel(s).
 * 2) * 1907, Edwin Atlee Barber, Tin enamelled Pottery Maiolica, Delft and other Stanniferous Faience, Doubleday, Page & Company New York, page #:6
 * The word Majolica, or Maiolica […] was applied to all Stanniferous faience of Italy and Spain.
 * 1) * 1999, Paul Atterbury and Maureen Batkin, Dictionary of Minton, ACC Art Books (2nd Revised edition edition 1 Jan. 1999), page #:124
 * Minton did not use the word maiolica themselves, relying instead on the Victorian version, majolica, which they used to mean wares of Renaissance inspiration, featuring hand painting on an opaque white glaze. […].
 * 1) * 2013, S. De la Vega, A. Castaneda-Gomez del Campo, M. Jimenez-Reyes, A. Tellez-Nieto, D. Tenorio, Majolica ware in the New Spain: an evaluation through NAA. The results of a study about [Tin-glaze] Majolica ceramics recovered from three sites located in Mexico City, Akademiai Kiado´, Budapest, Hungary
 * The [tin-glaze] Majolica manufacture process has remained practically unchanged through time: shaping is done with a potter’s wheel; drying must be slow... two firings... the first one for biscuit-sintering and the second for the glaze used as a surface for decoration... Glaze is prepared with a mixture of glass-sand (silica-rich sand)... lead, and tin, and the painted decoration is done with metallic oxides such as cobalt blue, iron oxide, and antimony oxide.
 * 1) * 1907, Edwin Atlee Barber, Tin enamelled Pottery Maiolica, Delft and other Stanniferous Faience, Doubleday, Page & Company New York, page #:6
 * The word Majolica, or Maiolica […] was applied to all Stanniferous faience of Italy and Spain.
 * 1) * 1999, Paul Atterbury and Maureen Batkin, Dictionary of Minton, ACC Art Books (2nd Revised edition edition 1 Jan. 1999), page #:124
 * Minton did not use the word maiolica themselves, relying instead on the Victorian version, majolica, which they used to mean wares of Renaissance inspiration, featuring hand painting on an opaque white glaze. […].
 * 1) * 2013, S. De la Vega, A. Castaneda-Gomez del Campo, M. Jimenez-Reyes, A. Tellez-Nieto, D. Tenorio, Majolica ware in the New Spain: an evaluation through NAA. The results of a study about [Tin-glaze] Majolica ceramics recovered from three sites located in Mexico City, Akademiai Kiado´, Budapest, Hungary
 * The [tin-glaze] Majolica manufacture process has remained practically unchanged through time: shaping is done with a potter’s wheel; drying must be slow... two firings... the first one for biscuit-sintering and the second for the glaze used as a surface for decoration... Glaze is prepared with a mixture of glass-sand (silica-rich sand)... lead, and tin, and the painted decoration is done with metallic oxides such as cobalt blue, iron oxide, and antimony oxide.
 * Minton did not use the word maiolica themselves, relying instead on the Victorian version, majolica, which they used to mean wares of Renaissance inspiration, featuring hand painting on an opaque white glaze. […].
 * 1) * 2013, S. De la Vega, A. Castaneda-Gomez del Campo, M. Jimenez-Reyes, A. Tellez-Nieto, D. Tenorio, Majolica ware in the New Spain: an evaluation through NAA. The results of a study about [Tin-glaze] Majolica ceramics recovered from three sites located in Mexico City, Akademiai Kiado´, Budapest, Hungary
 * The [tin-glaze] Majolica manufacture process has remained practically unchanged through time: shaping is done with a potter’s wheel; drying must be slow... two firings... the first one for biscuit-sintering and the second for the glaze used as a surface for decoration... Glaze is prepared with a mixture of glass-sand (silica-rich sand)... lead, and tin, and the painted decoration is done with metallic oxides such as cobalt blue, iron oxide, and antimony oxide.